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4 Freedoms' |
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4 Freedoms' |
| Music to set the mood for Love, Romance, Passion, Intimacy |
| Erotic | Meditation | Romance | Sinatra | Dance | Chanting & Sacred Music |
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EROTICEcstatica I: Hypno Trance Love Danceby Paul and Marilena Silbey Paul and Marilena have energetically recreated the moods from foreplay to orgasmic climax! Excellent for beginning Tantric lovers and for advanced practitioners as well. You may find yourself playing this CD over and over during an evening of extended lovemaking. Highly recommended by Al and Pala - 4 Freedoms Tantra
Margo Anand, author of the Art of Sexual Ecstasy says:
Ecstatica 1 is an erotic masterpiece that magially weaves both wild passion and heartfelt love for a truly ecstatic dance. I love it!
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Planet Drum Excerpt from Far Off the Beaten Path
Mickey Hart's band is Planet Drum. He was the drummer for The Grateful Dead for almost thirty years. "Music is a mystery," he rhapsodizes. "Music is also what makes us human. It's like sex and love. It's one thing that we do share. It's not a luxury, it's a necessity really. ... This is magic, this is the stuff of dreams. This is the great alchemy of life..." |
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Erotic Cinema Seduce your love to the strains of some of the sexiest songs from some of the hottest films: Up Where We Belong - (from "An Officer And A Gentleman") | You Can Leave Your Hat On - (from "9 1/2 Weeks") | Time Of My Life, (I've Had) The - (from "Dirty Dancing") | Skin Deep - (from "Senza Buccia") | Basic Instinct - (from "Basic Instinct") | Histoire D'O - (from "The Story Of O") and more!
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Non-Stop Erotic Cabaret
After two tentative singles, their version of the Northern Soul camp club classic Tainted Love went to Number 1 and Soft Cell became pop stars. Non-Stop Erotic Cabaret (1981) contains that hit, the great tawdry romance of Say Hello Wave Goodbye, the self-explanatory Bedsitter and the even more self-explanatory Sex Dwarf. It's a resilient piece of 1980s pop, all wild-eyed conviction and great melodies. Jimmy Nicol
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MCMXC A.D.
this CD is the best sex music i have ever heard I have played this for many lovers and they have all since bought their own copy. I am also an exotic dancer and use many selections for my sets on stage A very happy listener
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Temptation
"Temptation" is a tour de force that succeeds on many levels: the brilliant writing of Tom Waits, the minimal and gorgeous production of Craig Street, and, predominantly, the interpretive genius and innovation of Holly Cole:.. sparse instrumentation, dark vocal inflections, and more mood than any other jazz singer would ever be able to conjure.... Her dark, octave-layered vocal on the title track is also dead on; the hypnotic track plays like a soundtrack for any situation in which you find yourself doing something you probably shouldn't...with a half-smile on your face all the while. Perfectly complimented by Craig Street's organic production, "Temptation" finds Holly in her darkly seductive, minimalist glory. Challenge yourself to find a more unique vocalist or stronger artistic statement, and you will be kept very busy indeed. .
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I'm Your Man
"I'm Your Man," from beginning to end is one the most enlightening musical voyages you will ever take. Lyrics have always been Cohen's strong point but now we have a maturity in the music itself, laced with just enough pop/rock licks and tricks. His voice is at its masculine best to match the penetrating lyrical epeditions.A long-time fan
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MEDITATION |
Osho's
Kundalini and
Dynamic
Active Meditations
One of Osho’s brilliant insights was that modern people needed a different approach to meditation, an active one rather than a quiet passive one. In his active meditations you use body movement and sound to help you go out of your head (transcend thinking) and get into your body (be aware of direct sensory information and emotions/feeling). There are 28 meditations in the series. Our two favorites are the Kundalini and Dynamic meditations with fabulous music by Deuter. |
Ecstatic Emergence
The Silbeys have created magical music, an inspired celebratory 'enigma-tic' frequency, that offers a new vision for daily living. |  |
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Music To Disappear In
Great background music for Meditation and relaxation !! I teach beginning Meditation and this is perfect background music to help my class relax. The way the music blends into one another, makes it a wonderful tool for creative visualization journeys. A "centred" Listener
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Angel Love
A tender angelic symphony that soothes and harmonizes.. ANGEL LOVE was conceived as a musical offering to help us attune to the healing energies and harmonious emotions of the angelic kingdom. This music is especially recommended for deep relaxation, meditation, massage work and other healing arts. Its soothing and peaceful vibrations will help to reintegrate and re-energize our bodies and minds, resulting in greater ease and comfort in our daily life.Jill, Oreade Music
Audio CD (February 3, 1998) ~
Oreade Music |
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Musical Sea of Tranquility
Hear and experience: the reassuring sounds of the sea; the soothing sounds of the celestial harp; the glorious sounds of 25 of the world's most beautiful melodies.
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ROMANCE |
Love Songs
In keeping with the title, Love Songs captures Miles Davis at his romantic best. These cuts were culled from classic studio dates (and one concert) recorded between 1957 and 1964, and the intimate sound of Davis's trumpet unifies the nine poignant ballads chosen for this loving compilation. Whether leading one of his many quintets or performing in front of a jazz orchestra, Miles was the master of confidential moods. With tasteful accompaniment and wonderful compositions, this Miles Davis collection is straight from the heart. Mitch Myers
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Miles Davis Plays Classic Ballads
When Pala wants some tunes to take her out of a world of speed and pressure
and into a space of clarity, tenderness and romance this is one of the CDs she choses.
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Coltrane for Lovers Coltrane's silvery sound brought an utterly new dimension to tenor saxophone balladry, a metallic
clarity in which each note is given its own luster and nuance. Listening to these ballads gathered together, Coltrane seems to
touch on every mood of romance, from longing to rapture to reflection, imbuing each song with an ineffable grace.
His theme statements are sublimely beautiful, while his improvisations add new depths with their unique mix of strength and
delicacy.
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by Sinead O'Connor
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New Moon Daughter
Her luscious alto has the depth and texture of a great tenor saxophonist, but Cassandra Wilson's defining asset is a post-modern song sense that enables her to surf through Son House, Neil Young, Johnny Mercer, Billie Holiday, and (gasp!) the Monkees in pursuit of strong songs that can provide that instrument with a canvas. Her second Blue Note album extends Wilson's seductive pilgrimage beyond the conventions of jazz repertoire and accompaniment, yet it's her instincts as a jazz singer that inform these brilliant readings. The settings again step away from traditional small group jazz (for starters, there's no piano) to evoke the emotional core of these songs. Anyone who can turn the Monkees' "Last Train To Clarksville" into a slow-burning erotic vignette deserves your attention. Sam Sutherland
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Time After Time
Time After Time, is James' husky version of some pop standards. In the liner notes, James acknowledges learning these songs from vocal models like Washington, Fitzgerald, Etta Jones, Jimmy Scott, Chet Baker, and Frank Sinatra, but James puts her own stamp on every one. Most of these are confessions of weakness by a lover in the throes of new infatuation or fresh heartbreak, but she injects such a feeling of strength into the vocals--both in the robustness of her timbre and in the determination of her attitude--that she gives these well-worn numbers a new spin. She may be dizzy right now, she seems to imply, but she will soon land on her feet Geoffrey Himes
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Moondance
Moondance is that rare rock album where the band has buffed the arrangements to perfection, and where the sax solos instead of the guitar. The band puts out a jazzy shuffle on "Moondance" and plays it soulful on "These Dreams of You." The album includes both Morrison's most romantic ballad ("Crazy Love") and his most haunting ("Into the Mystic"). "And It Stoned Me" rolled off Morrison's tongue like a favorite fable, while "Caravan" told a tale full of emotional intrigue. Moondance stood out in the rock world of 1970 like a grownup in a kiddie matinee. Twenty-eight years later, it's still a marvelous night for a Moondance. John Milward
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Poetic Champions Compose [ORIGINAL RECORDING
REMASTERED] One of my all time favourites, by Van or anyone else, Poetic Champions Compose never fails to bring a tear to my eye, a lump to my throat and a warmth to my heart. Van did everything on this album - wrote, sang, played all the instruments. He's most definitely a poetic champion. Pala
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Don Juan de Marco
Bryan Adams aside, gorgeous spanish melodies, don't miss I bought this after seeing the movie, at times the music was the best part. The spanish version of the Bryan Adams title track is to be played over and over. There are a couple places where the music is just filler from movie moments but nontheless engaging. Imagine Flaminco dancers, ladies in tight red dresses, roses scenting the air, Sangria... This is a perfect candelight dinner, evening drive, bubble bath choice. A Romantic
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We'll Be Together Again Lena Horne is nine years older than the 70-something Tony Bennett, and like him has lost a good bit of power and tone from her voice. Unlike Bennett, though, she doesn't try to bull her way through her vocal limits on We'll Be Together Again; she stays within those limits and fashions a striking testament to the subtleties of romance and friendship in one's autumnal years. Billy Strayhorn was one of Horne's very best off-stage friends, and seven of the 16 tracks here were written by Strayhorn and/or his partner Duke Ellington. Three more songs--"My Buddy," "Old Friend" and the title tune--are heartfelt remembrances of those once dearest to Horne and now gone--Strayhorn, her ex-husband, her son, her hairdresser and her wardrobe mistress.. Geoffrey Himes
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SINATRA |
Wee Small Hours It's a masterpiece. The cover portrait suggests the mood of late-night desolation almost as effectively as the music, with Sinatra in the corner, smoking a solitary cigarette on a deserted street illuminated only by a foggy, blue- green glow of lamplight. Loneliness, thy name is Frank! They say that memories of Ava Gardner caused him to break down after finishing this aching version of "When Your Lover Has Gone." Riddle's clarinet theme for "What is this Thing Called Love?" is as haunting as Cole Porter's melody itself. And if there's a more devastating evocation of solitude than "It Never Entered My Mind"... well it must be on Only the Lonely. With songs like "I'll Be Around" and "Dancing on the Ceiling" to suggest at least the hope of hope, Wee Small Hours may flirt with despair, but never succumbs to it. It's the kind of comforting company that misery likes best. Jim Emerson
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The Capitol Years: The Best Of Frank Sinatra
A music fan from Utrecht, The Netherlands
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September Of My Years
From the evocative cover painting to the impeccably-chosen songs within, this 1965 album harkens back to Sinatra's great Capitol-era concept albums like In The Wee Small Hours and Frank Sinatra Sings For Only the Lonely. The theme revolves around a man approaching his fifties, looking back with a mixture of nostalgia, regret, and uncertainty; given Sinatra's age at the time (he was 49 when this was recorded) and the way he invests himself in the material, it's impossible to interpret the record as anything but autobiographical. Wistful numbers like "Don't Wait Too Long," "It Was A Very Good Year," "September Song," and the title track all hit the emotional bull's eye, but everything here is excellent. Unquestionably his finest Reprise-era achievement. Dan Epstein
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Come Dance With Me!
Released in 1959, this was one of Sinatra's most commercially successful albums, remaining on the charts well into 1961. The reason for its popularity is apparent upon first spin: track for track, this is probably the enjoyably upbeat album Sinatra ever recorded. Billy May's arrangements swing unbelievably hard (the horn section positively leaps out from the speakers), and the Chairman himself is at the top of his vocal form on "Something's Gotta Give," "Cheek to Cheek," "Dancing in the Dark" and nine others. This is Sinatra at the very height of his artistic peak. The CD throws in four extra tracks of almost equal stature to the standing selections. Dan Epstein
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Sings for Only the Lonely
Look past the tacky, sad-clown velvet painting on the cover (a Grammy- winner for album design in 1959!), there's nothing cheap or sentimental about this record--the bleakest and blackest album of popular songs ever recorded, so quietly powerful it can leave you slumped in your chair with the ice cubes still rattling in your glass. Every single "suicide song" (as Sinatra liked to call 'em) on Only the Lonely is a stunner that will take your breath away. Nelson Riddle's arrangements are like shadows, almost colorless and motionless, so that all you hear is the ache in the singer's voice. "Angel Eyes" and "One for My Baby" each deserve an album to themselves-- so exquisitely moving that at the end of three minutes you feel like you've just heard a lifetime of loneliness. My only regret--and it's a big one--is that this flawless masterpiece doesn't include Billy Strayhorn's "Lush Life," which truly belongs here; Sinatra put it into an already overcrowded recording schedule and, when fatigue and the difficulty of the song defeated him after a couple takes, he gave up and never attempted it again. We got the chillingly lovely "Willow Weep For Me" instead, so I'm really not complaining--but that just adds to the pang of loss that this album expresses so vividly. Drink up! Jim Emerson
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Sinatra at the Sands
Pop this on, close your eyes, and you'll be instantly transported back to the Vegas of 1966. The Sands Hotel was still the "class joint" where Sinatra and his Rat Pack buddies partied, held court, and occasionally even performed. This priceless document (Sinatra's first official live album) captures the Chairman of the Board in performance mode, ably supported by conductor/arranger Quincy Jones and Count Basie and his Orchestra. The set list comprises 16 Sinatra classics--including "Come Fly With Me," "One for My Baby (And One More for the Road)," "It Was a Very Good Year," and "Angel Eyes"--along with two Basie instrumentals and some seriously un-P.C. stage banter. Essential. Dan Epstein
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The Columbia Years...1943-1952 [BOX SET] 12 CDs - 295 songs! Availability: This title usually ships within 24 hours |
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The Complete Capitol Singles [BOX SET} Each song on this 96-cut collection is wonderful. And the Capitol years were when Sinatra's fullest voice was used on material by the best (Arlen, Porter, Van Heusen, Cahn, Styne). But a purist will miss the narrative that was so special in the original albums. Records such as This is Sinatra, Songs for Swingin' Lovers, and Only the Lonely were among the first concept in pop music. If you're used to hearing "Three Coins in the Fountain" after "I've Got the World on a String," this relatively random cornucopia--though full of great music--will not leave you feeling as satisfied as the old LPs. This is a fine primer for newcomers, but you should't miss the tracks that never became singles, including such classics as "Pennies From Heaven" and "Old Devil Moon." Karen Croft
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DANCEEndless Wave, Vol. 1, Gabrielle Roth & The Mirrors, 1996 The music is fabulous and Gabrielle talks you through the body parts and 5Rhythms™ to help you get out of your head and into your Divine body. We use this CD in our Tantra workshops. Excellent! Also, Endless Wave, Vol. 2, Gabrielle Roth, 2000 |
CHANTING & SACRED MUSIC |
Tashi Lhunpo Monastery: Sacred Prayers for H.H. the Dalai Lamas and Panchen Lamas, Released July 2004. Follow the link to listen to sample tracks. All proceeds
used to support the monks of Tashi Lhunpo Monastery.
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Tashi Lhunpo Monastery: Sacred Instrumental Music,
Follow the link to listen to sample tracks. All proceeds used to support the monks of Tashi Lhunpo Monastery. |
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Drepung Tehor Khangtsen: Tour 2000 Prayers, “These are welcome additions to the sonic documentation of a people in danger, a culture at the
brink.” Ingvar Loco Nordin, Sonoloco Record Reviews, 2001
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Gyuto Tantric University: Chant Retrospective 2000,
“This is Tibetan chant at its best. It's majestic, it's moving - and the sound is, as said, brilliant!”
Ingvar Loco Nordin, Sonoloco Record Reviews, 2001
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Women's Sacred Chants: Prayers and Devotional Songs,
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